Exploring Emotions in the Film Discourse and the Enduring Power of Cinematic Feelings in the Development of Cinematography
Keywords:
film, discourse, cinematography, emotional responses, semiotics, cinematic technique, cognitive appraisal theory, subtextAbstract
This article delves into the intricate interplay of emotions within film discourse, examining how filmmakers utilize various cinematic techniques to evoke and manipulate audience emotions. It explores the multifaceted nature of emotions in film, encompassing not only the emotional states of characters but also the emotional responses of the audience. The article examines the role of narrative structure, character development, cinematography, editing, sound design, and music in shaping emotional responses. It analyzes the various ways filmmakers employ these elements to create suspense, empathy, laughter, fear, and other emotions.
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