Stylistic Nuances in Uzbek National Instrumental Music Techniques and Interpretations

Authors

  • Marjona Axmadaliyeva Fergana regional branch of Uzbekistan State Institute of Arts and Culture
  • Toshtemir Xalilov Fergana regional branch of Uzbekistan State Institute of Arts and Culture

Keywords:

Uzbek instrumental music, maqom tradition, rubab techniques

Abstract

Uzbek national instrumental music is rich in stylistic diversity, reflecting centuries of cultural evolution and regional influences. This article examines the stylistic nuances found in traditional Uzbek instrumental music, focusing on techniques and interpretations unique to instruments such as the Rubab, Dutor, and Nay. It explores the intricacies of performance practices, the role of maqom in shaping stylistic identity, and the ways musicians infuse personal expression into their interpretations. By analyzing regional variations, improvisational practices, and contemporary adaptations, the article highlights the dynamic nature of Uzbek instrumental music and its enduring cultural significance.

References

1. Abdullaeva, R. (2020). The Maqom Tradition in Central Asian Music. Tashkent: Maqom Publishing.

2. Karimov, B. (2019). Instruments of Uzbekistan and Their Stylistic Significance. Samarkand: Cultural Heritage Press.

3. Saidov, T. (2021). "Improvisation in Uzbek Folk Music." Journal of Central Asian Music Studies.

4. Yuldashev, O. (2018). Regional Variations in Uzbek Instrumental Music. Tashkent: Academic Press.

5. Zohidov, M. (2022). "The Role of Ornamentation in Uzbek Traditional Music." Uzbek Music Review.

Published

2024-12-12

How to Cite

Axmadaliyeva, M., & Xalilov, T. (2024). Stylistic Nuances in Uzbek National Instrumental Music Techniques and Interpretations. EUROPEAN JOURNAL OF INNOVATION IN NONFORMAL EDUCATION, 4(12), 150–154. Retrieved from https://inovatus.es/index.php/ejine/article/view/4748

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